TWO SHOWS ONLY! TICKETS NOW AVAILABLE!
TORONTO, October 19, 2006 – Harbourfront Centre’s HATCH: emerging performance projects series kicks off for 2006/07 with Theatre Commutiny’s page-to-stage translation of a.rawlings’ book of poetry, Wide slumber for lepidopterists.
What happens when a person, obsessed with a subject, dreams at night; does the subject affect how she thinks, how she dreams, how her body processes information? If a poet writes poems during sleep, how might a lepidopterist work while she sleeps? What effect does intimate examination of insects have on long-term information processing and subconscious behaviour? Wide slumber for lepidopterists explores these questions through a dynamic combination of sound, movement, and visual art.
“[A] full-body experience… fabulous.” – T.L. Cowan, terminus1525.ca
“Affected by her background in dance and theatre, rawlings’ text has a kinetic aspect, an awareness of the body and the breath, which is unusual in such linguistically innovative writing. She brings a vocabulary of dance and the body to her consideration of how to approach text as an active, moving site, asking, ‘How can sound translate into text, text into movement, movement into text? How can a page act as a stage for words?’” — derek beaulieu, Calgary FFWD
Tickets ($15) for HATCH are now available through the Harbourfront Centre Box Office. To order by phone: 416-973-4000.
Saturday, November 11, 8pm
Sunday, November 12, 8pm
Harbourfront Centre, Studio Theatre
235 Queen’s Quay West, Toronto
WIDE SLUMBER FOR LEPIDOPTERISTS
Written by a.rawlings
Directed by Conor Green
Conceptual design by Matt Ceolin
Lighting design by Geoff Bouckley
Sound design and original music by Richard Windeyer
Performed by Amanda Brugel and a.rawlings