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You are currently browsing the commutiny blog archives for August, 2005.
a rawlings tweets…
- RT @guardianeco: Chile: hundreds of dead animals washed up on shore – video gu.com/p/3gv23/tf 4 days ago
- Interview on Jacket2 - Gary Barwin’s visual poetry commentary and interviews on Jacket2 visited my Gibber rec… tmblr.co/Z8iPzul6J0xa 5 days ago
- Yeats eyeballs Gibber bottles... @garybarwin @jacket2mag http://t.co/PCVI2yzANe 6 days ago
- RT @eschmaltzzz: "Beyond Eco-slave names" -- @garybarwin on @echolology for @jacket2mag: jacket2.org/commentary/bey… 6 days ago
- RT @jacket2mag: Gary Barwin, "Beyond Eco-slave names": jacket2.org/commentary/bey… 6 days ago
No slumber for volcanologists- With Ingólfur Júlíusson April 23, 2013
- FutureVolc April 3, 2013
- Hekluvöktun March 26, 2013
- Is an Icelandic volcano erupting? March 26, 2013
- RÚV: Seismic activity in Mount Hekla March 26, 2013
a.rawlings: books, anthologies, chapbooks
- 131.839 slög með bilum, 2007 (includes translated excerpt from WSfL)
- A Sing Economy, Flim Forum Press 2008 (contributor with François Luong)
- Af steypu, Nýhil 2009 (contributor)
- Desire, Doom, & Vice, a Canadian Collection, Wingate Press 2005 (contributor)
- I'll Drown My Book: Conceptual Writing by Women, Les Figues Press 2012 (contributor)
- New Icelandic Poetry in Translation, BookThug 2009 (contributor)
- Pissing Ice: An Anthology of ‘New’ Canadian Poets, BookThug 2004 (contributor)
- Regreen: New Canadian Ecological Poetry, Your Scrivener Press 2009 (contributor)
- Shift & Switch: New Canadian Poetry, The Mercury Press 2005 (co-editor), second printing
- Strong Words: Year Two, Indiepolitik 2007 (contributor)
- The Common Sky: Canadian Writers Against the War, Three Squares Press 2002 (contributor)
- W I D E R: B-sides, rarities, and remixes, belladonna* 2006 (author)
- Wide slumber for lepidopterists, Coach House Books 2006 (author), second printing
- [a,r] [s'c], housepress 2002 (co-written with Stephen Cain)
a.rawlings: classroom visits and workshops
a.rawlings: who, how, when, where, why
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